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The Grace, Danger and Beauty of Oh Land: At Brighton Music Hall Wednesday |
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Dec 07, 2011 at 12:00 AM |
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Wed. Dec. 7 "My friends and family call me Nanna and I would like it to stay that way," said the Danish singer the rest of us know as Oh Land. Twenty-six years ago, she was born Nanna Øland Fabricious. "Fo r me, Oh Land was a very natural stage name, as it is how my middle name is pronounced in English," she continued. "I liked the anonymity of it and that it didn't indicate whether I was a boy or girl or a band. Especially in the beginning, it gave me a lot of freedom because there wasn't a face to it. It was just about the music." "It's like I have two enhanced versions of myself. Oh Land is the super version of me where I do all the things I wouldn't always get away with normally. It's sort of like Clark Kent and Superman." Oh Land headlines Brighton Music Hall Wednesday Dec. 7. She will play synthesizer and omnichord, alongside her backup musicians, synthist Tore Nissen and drummer Hans Hvidberg-Hansen. |
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Roy Orbison: A Wonderful Life and Voice |
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Dec 06, 2011 at 01:02 PM |
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And now this ... 23 years to the day after Roy Orbison's heart attack and deth Barbara Orbison, 60, left our world. She met Roy when she was 17 and married him 9 months later. She had been fighting pancreatic cancer since April. She had gone through surgeries and treatments and was passed off as cancer free back in October. She was re-admitted last month with some complications. ... I met Roy Orbison at the Club Casino in NH, covering him (seeing him for the first time live) and talking with him extensively backstage in the '80s. He was the warmest, most gen erous man and the music, it soared. Nothing sounded dated at all, it was timeless. I wrote this after Orbison died, 23 years ago Dec. 6. I had interviewed him just prior to his Boston shows. WFNX dj Julie Kramer took this photo backstage at the Channel. And, now, it's over. Roy Orbison's life ended Dec. 6 of a heart attack, at his mother's home in Hendersonville, Tenn., just when he was poised to reenter the upper atmosphere of a star-studded, star-crossed pop world. Orbison -- the stocky, solitary guy in trademark dark shades and uniformly black garb -- was the world's most popular male singer from 1960 to 1964. Success came to him after he'd made a minor hit for Sam Phillips' famous Sun Records, the stable of Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash. Orbison's star faded when the Beatles and other British bands invaded the United States during the mid-'60s. His songs missed the top of the charts, yet he survived -- and prospered -- on the concert circuit. In showcasing his multi-octave range last weekend in Boston at the Channel, during his next-to-last concert, Orbison again proved himself the premier pop balladeer, a man for whom heartbreak and loneliness were always a breath away, no matter how "dated" the songs. The man still felt it. |
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Music For 31 Musicians: Guitar, Loops and Surround Sound from Kevin Micka and Company at MassArt |
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Dec 04, 2011 at 12:00 AM |
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Sun. Dec. 4 Many years ago, we saw Robert Fripp - the small, mobile inteligent unit - play a show of looped electric guitar at the tiny Passim in Cambridge. The place was jammed and fans outside were pressed against the window. It was hypnotic. Which is one reason our inter est was raised by word of what the Animal Hospital Ensemble will do Boston Sunday Dec. 4. In a nutshell: One-Man Looping Machine Band to be Backed by 30-Piece Ensemble. That one man is Mr. Animal Hospital himself, guitarist Kevin Micka. The ensemble consist of 30 local musicians, including members of Hallelujah the Hills, Neptune, and Debo Band. Over six years and three albums, Micka has become known for his layered guitars, live-sampled drumming and lush, adventurous song structures. Armed only with an arsenal of looping machines, Micka has built a following in both North America and Europe. Pitchfork calls Animal Hospital as “a full, dense soundscape . . . more like sculpture than songcraft.” In 2007, Micka attended a performance of Rhys Chatham’s “Guitar Trio” in a grain silo. Two years later, he performed in Chatham’s 200-guitar orchestra at New York’s Lincoln Center. As Micka completed his most recent recording, he fantasized about what it would sound like to replace loops with live musicians. At MassArt's Pozen Center, Micka will play pieces from 2009’s “Memory” album in full surround sound, with a platoon of musicians encircling the audience. Talk about all-encompassing. I did an email exchange with Micka about this project. JSInk: Tell me a bit more about your background. I work part-time as a studio engineer and repair technician, fixing mostly guitar amps and mixing consoles. I have been playing solo for 6 years under the name Animal Hospital, stemming out of the idea of wanting to tour more often and eventually turning into a very sincere and satisfying creative outlet. I joined the band Neptune a year and a half ago. This the first band I have played in and written with on a regular basis in since I started Animal Hospital. |
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Roger Miller and a New Generation of Post-Punk: Cover Time at Berklee |
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Dec 03, 2011 at 12:00 AM |
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Sat. Dec. 3 Berklee goes post-punk? Mission of Burma’s Roger Miller joins ‘em on stage? Sure, why not. The College has long moved away from its jazzbo roots – president Roger Brown told me this when we talked a few years ago. "Clearly," he said, "its roots we re jazz, but over time it has defined itself more broadly as a school of contemporary music, all the way to hip-hop and ethnic music around the world. We’re about helping young people create the music of the future, rather than just learning about music of the past. Whatever they want to create is what we want to build." So, the idea was to help the young musician to excel at whatever genre he/she wanted to. As to Miller – a member of the Alloy Orchestra and someone always willing to venture far afield – he should have no problem with this bill. He’ll be playing acoustically. It takes place at Berklee Performance Center Saturday Dec. 3, A gang of Berklee students and alum – Julia Easterlin, Da’Rayia, David Pramik, the Boston Boys, Pinn Panelle and the Berklee String Music Ensemble – play songs from their seminal bands – Radiohead, Gang of Four, R.E.M., Joy Division, Pixies, Husker Du, My Bloody Valentine… The songs, most of them we guess, are from the Berklee-run record label Heavy Rotation Records "Under the Influence" series, just out, produced by local ace Paul Q. Kolderie. (Yep, he co-produced Radiohead’s first LP and Pixies’ "Surfer Rosa." He used some of the original gear they had back at the long-gone Fort Apache studios to record the album. |
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Get the Syphlloids! Live and In Your Face Tonight at Emerson College |
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Dec 01, 2011 at 12:00 AM |
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Thurs. Dec. 1 Hey, hey, they're the Syphlloids. Kids say they spread syphilis around. But we're too busy singing ... No, no, wrong band. The Syphlloids are a scurrilous/scabrous/humorous punk rock band formed some time ago by and its singer is someone who's become a frien d in recent years, Doug Quintal. Doug is not a scuzzy punk in real life. He's a marketing prof at Emerson, a rabid Bruins fan he lives in a nice exburban home with his wife and two adorable children. But he does have this early-Dictators-esque alter-ego (Bug Syphlloid) and it will take shape tonight (Thursday) at the Max Mutchnick Student Center. Does Quintal really want his students to see this? Evidently, the answer is yes. The creation myth of the Syphlloids is, I believe, that they are spawns or mutant offspring or whatever of Elvis Aaron Syphlloid (the guitarist Fred Pineau, who used to be in the Atlantics). I reviewed 'em for the Globe in 1996 and wrote, "If you call your band the Syphlloids, you're pretty much admitting that you're not aiming for the top of the pops. You can't really envision that name rolling off Casey Kasem's tongue. Nope, if you're a Syphlloid, you're a Syphlloid all the way. You're saying that you wallow in the gutter and you like it like that." I asked Doug - co-writer of songs like "It's a Nice Day for a Bath, Hippie," "Guys Like Me Never Get Girls Like You," and "Whatever" - to pen a few words about this gig. Some of this may be true. "The Syphlloids’ set will highlight songs from both CDs ('Riding the Corporate Muscle' and 'Finger Check') released over the course of a storied 18 year career. The show will also mark the return of Syphlloids bassist Fargo “Cockring” Syphlloid to the lineup after leaving the band in 2003 to pursue a career as a mail order groom. The Syphlloids have turned their attention away from the stage in recent years to get married, start families, and pursue day jobs. However, according the front man Bug Syphlloid, “those things haven’t deterred us from writing and recording. I think there’s a perspective and maturity that comes from being a parent. I honestly believe that maturity and appreciation for the simple things in life are reflected in the songs contained in our forthcoming album, 'Porn Stars & Hockey Fights.' A release date has yet to be set, but updates can be obtained at www.reverbnation.com/thesyphlloids or www.facebook.com/the-syphlloids." Elvis/Aaron (or Dad) has apprently retired from the lineup but today's Syphlloids are Bug Syphlloid vocals/guitar, Hot Rod Syphlloid, lead guitar/vocals, and Tommy “Thincrust” Syphlloid on drums. And of course Fargo. Starts at 9. Free. 150 Boylston St., 617-824-8680 www.emerson.edu |
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