Jim Sullivan Boston Arts and Entertainment graphic
home
boston events
boston exhibits
boston film
boston music
performances
lectures
readings
archived reviews
advanced search
jim sullivan

Jim has covered Boston arts and events since 1978.  In addition to this column, JimSullivanInk, he is a freelance columnist for the likes of the Boston Phoenix, the Christian Science Monitor, Search Boston and Hall of Fame Magazine.
subscribe
Hear the latest on what's hot in Boston arts and entertainment. Register for a free subscription today
Username

Password

Remember me
Password Reminder
No account yet? Create one
syndicated feed

ArtDesy - An Art Directory

The Saw Doctors Return with the Sound of Western Ireland Rock

Thurs. Aug. 7  

"We didn’t start out and say ‘Let’s make a band that makes people feel good when they lSaw Doctorseave’ the show,’’ says Saw Doctors guitarist Leo Moran. "I think we’re just lucky. Not all of our lyrics are completely upbeat, but the way we deliver them seem to be upbeat. They’re a strange mixture of light and dark. Even songs with serious lyrics have an uplifting rhythm and melody to them." He sees it aspiring to what the greats do, and notes when people whoop and holler when they hear "Bad Moon Rising," they generally have no idea about the dread contained in the song.

Read more...
signal2noise: 2 Guys with a GuitarCross and drums at Church

Fri. Aug. 8

Here, we submit, is one strange - albeit rewarding in some weird way - musical life: Guitarist Douglas Blair lives in Newburyport and splits his time between the local duo, signal2noise, and the L.A. naughty boy/metal band, W.A.S.P., led by Blackie Lawless. We asked Blair, whose s2n outfit plays Church Friday Aug. 8, what this was all about. He told us: "signal2noise sounds like Zeppelin, Rage Against the Machine, Rush or King's X musically, with the limitations of two musicians/singers, thankfully preventing the ongoing trend of blending twenty-nine styles together into a big hodge-podge, Our primary goal is to reach a level of unpredictability and variety that having only two players facilitates (ex: Dresden Dolls), but in a very musical manner. ...

Read more...
Smokin' On the Water: Rock and Blues Cruise Returns to the Harbor

on some summer weekends

Imagine it's a gorgeous summer evening. You want to hear some music, have a couple of drinks, but not spend your time in some dark cellar or some bright disco. Solution? The Rock and Blues Concert Cruise. It's the fourth season for these guys, whose season runs June-August. What you do is board the Frederick Nolan Jr. at Long Wharf (between the Aquarium and the Long Wharf Marriott Hotel), pay your cover charge (between $20 and $30) and set sail around Boston Harbor for two-and-half to three hours listening to, well, heres the lineup to date:

Read more...
Deborah Henson-Conant Takes You to Heaven's Waiting Room

Wed. – Sat. Aug 13 – 23

Deborah Henson-Conant – Grammy-nominated harpist and storyteller – has given a doozy of a title to her new one-woman show: “What the Hell are You Doing in thDeborah Henson-Conante Waiting Room for Heaven?” We couldn’t help but ask how this came about. “My shows have always had me talking,” she says. “Stories that came out of music,; for this, the music (13 songs)  in the show comes out of the stories.”
     “Heaven has changed a bit,” Henson-Conant says, “and getting in the heavenly choir is a good way to get in. It’s a bit like ‘American Idol,’ with superstar judges like Elvis and Liberace.” Who’s in the waiting room? The members of the audience. Which means, the theatrical conceit, is “yes, you have died,” she says “and it’s very audience-interactive.” She’s termed in a “Transformational Music-Theatre Experience.” It takes place at the new Central Square Theater in Cambridge, on Wed.-Sat. August 13 – 23 at 8 p.m.

Read more...
Dark Acoustic Blues from Jake La Botz

Wed. Aug 13 & Thurs. Aug. 14

Jake La Botz, singer-songwriter-guitarist, has been calling his third CD “Sing this To Yourself … and other suggestions for a personal apocalypse” the most depressing aJake La Botzlbum ever.” It is an even-paced, acoustic album rooted in the blues, with murder ballads and other songs where the singer looks inward and doesn’t like what he finds. “I don’t think anyone else has ever claimed that,” says La Botz, on the phone, abut the “most depressing” tag. “I guess the idea is: There’s some fairly depressing material  there, but more than being a bunch of miserable songs wallowing in self pity, it’s more like an expression the rawness of emotion, unbridled, but not necessarily buying into going down the drain. There’s some quality of redemption.” La Botz will be letting those songs loose Wednesday Aug. 13 in Watertown at 21 Nickles  and the following night at the Brendan Behan Pub in Jamaica Plain.

Read more...
The Allman Brothers Band: 40 Years. Who'da Thunk It?

Sun. Aug. 16

Ok, maybe there's something a bit off when a band is celebrating its 40th anniversary and one brother the band is named after is long dead, a key guitarist was booted out for boozing and the leader of the band, a recovering alcoholic, had to postpone a string of shows in Arpil because he's recovering from Hepatitis C. But, you know, it's only rock 'n' roll - and what band hasn't suffered so. (See: The Who.)

Read more...
You Can't Keep a Good Band Down: The English Beat are Back in Boston

Thurs. Aug. 21 

Dave Wakeling formed the Beat in Birmingham England in the late 1970s. It was one of thDave Wakeling of the English Beate leading bands of the ska-punk, two-tone movement – two-tone meaning blacks and whites playing in the same band. The Beat, called the English Beat in America for legal reasons, has broken up, re-formed, and taken different shapes over time. Several members went off to form Fine Young Cannibals.  Wakeling has long been based in California and it’s a US band that he brings with him to City Hall Plaza Thursday Aug. 21, a WBOS sponsored show. We’ve known Wakeling going back to when the Beat first hit Boston, around 1979; we saw them play a great show last year; and we caught up with him again for a chat about then and now. What struck us - last year in a club, this year at Earth Fest -  was how fresh, how pertinent old material like “Save It for Later,” “Twist and Crawl,” “Mirror in the Bathroom” and others seemed now, and we asked him about it. Does the music change its meaning over time?

Read more...
Finally In the Flesh at Fenway: Neil Diamond

Sat. Aug. 23

 Hot August Night! We can only hope. The Red Sox are in Toronto that night, Sat. Neil DiamondAug. 23, so they won't be singing along to "Sweet Caroline" at Fenway Park along with Neil Diamond, but we're sure 30,000-plus people will. It's a curious phenomenon, is it not? We take a guilty pleasure in Diamond - long have. Loved "Cherry, Cherry," "Brother Love's Traveling Salvation Show," "I'm a Believer" - not so hot on "I Am, I Said." Now, where does "Sweet Caroline" fit into this? It's just plain weird. It's a catchy, happy enough song about finding a lover who takes the pain away. It's also got those "oh-oh-oh!" breaks and "So good! So good! So good!" proclamations.

Read more...
Cirque du Soleil brings "Kooza" to Town - More Splendor under the Big Top

Fri. Sept. 5 - ongoing

 When asked what any particular Cirque du Soleil show is "about," we often hem, haw and basically draw a blank. It's about beauty and splendor and grace and strength and emotion and dazzling feats of acrobatics, all set to a rock/classical/world music score. BCirque du Soleil's "Kooza"ut there are stories, there, too - although to explain the story, we often have to go back to the press release. So, concerning "Kooza," which goes up Friday Sept. 5 at the Bayside Expo Center, we turn to what the Cirque people say. And that's that it "tells the story of The Innocent, a melancholy loner in search of his place in the world." And "it is a return to the origins of Cirque du Soleil that combines two circus traditions - acrobatic performance and the art of clowning. The show highlights the physical demands of human performance in all its splendor and fragility, presented in a colorful mélange that emphasizes bold slapstick humor."

Read more...
Late Night Dining in Boston: Open for Business

ongoing

When I was a younger rock critic, out about town ‘til all hours and famished, my choices were a microwaved steak-and-cheese sub at the nearest Store 24 or a fill-up at (the lateBeehive, lamented) Buzzy’s Roast Beef. Times change ... Never would you call Boston the city that never sleeps. The city traditionally shuts down early, nightclubs by 1 or 2 a.m., and most restaurants by 10.

But the nightscape has evolved. More and more restaurants are catering to the late night crowd. Recently, we went on a mission to check out the scene. We started in Kenmore Square, but found ourselves frequently in the South End, a nexus of late-night dining. Did we get everywhere? Certainly, not. Space and time were limited. But my wife and I found top-notch places to satisfy late-night cravings. (A version of this story ran in the June Where Boston magazine and can be found at www.wheremagazine.com .)

)

After a night game at Fenway Park – and they seem to last forever now – you may be primed for cuisine that surpasses ballgame fare. Skip the chains and head to Eastern Standard, part of the Hotel Commonwealth. Walk in and you may feel like you’re in an old-fashioned train station. Sitting in a burgundy leather booth, proprietor Garrett Harker explains the name came from an old postcard of Penn Station, which had a giant clock reading Eastern Standard. "Eastern Standard sounded like an old railroad company,’ he says, and that’s the motif.

Read more...
<< Start < Previous 1 2 3 Next > End >>

Jim Sullivan Boston Arts and Entertainment graphic